Auflistung nach Schlagwort "Kunst"
Anzeige der Publikationen 1-16 von 16
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Affekt und Repräsentation – Blick und Empfinden
(2014)Starting with the Fly, Yoko Ono’s video from the early 1970s, this article compares a feminist reading of the 1970s/80s with a performative, new materialist reading as developed since the 1990s. Whereas feminist art and ... -
Affekt(de)regulierung durch Affizierung
(2014)This article starts from the assumption that the critique of representation is fundamental for a critical conceptualization of affect. In this regard, theories discussed in the tradition of Spinoza are crucial; they connect ... -
Angels in the White Cube? : Rhetoriken kuratorischer Unschuld bei der dOCUMENTA (13)
(2015)Taking curatorial disclaimers of authorship as a starting point, the article calls attention to the convergence of historical scripts of femininity epitomized by the Victorian Angel in the House and contemporary curatorial ... -
Aphrodite oder die Kunst der Schaumgeburt : Seifenschaum als genderkritisches Material
(2014)Flüssige Schäume und insbesondere der Seifenschaum sind gewöhnliche Materialien unseres Alltags. Es scheint nichts Besonderes an diesen zarten und luftigen Substanzen zu sein. Und doch haben seit den 1960er Jahren zahlreiche ... -
Choreography as Form as Dance as AN Activity
(2014)During the 1990s, perhaps as part of several strategies aimed at slowing down the boom of the 1980s, a discursivation of the body and its activity took place in the field of dance in analogy to speech acts. This analogy ... -
Das sehende Geschlecht : Repräsentationskritik und Affekt in Alicja Żebrowskas Video 'The Mystery is looking' im Kontext postsozialistischer Sexualitätsdiskurse in Polen
(2014)This paper analyses The Mystery is Looking, a video produced in 1995 by the Polish artist Alicja Żebrowska. The video presents a close-up of the artist’s vulva being transformed into a strange looking eye staring at the ... -
Eugen_ia. Oder: Im Netz der Ähnlichkeiten : Über Formen des visuellen Othering im 12. Jahrhundert
(2013)Wie neuere Forschungsergebnisse zeigen, wurden in der christlichen Kunst des 12. Jahrhundert noch keine exklusiven Merkmale für die Bezeichnung von Jüd_innen, Muslim_innen, Afrikaner_innen oder Häretiker_innen verwendet. ... -
Gendering the transnational : Gender und Medien transnationaler Historiografie im Musée des civilisations de l’Europe et de la Méditerranée Marseille (MuCEM)
(2015)The article examines how national museums currently try to overcome national narratives by focussing on the former ethnological national museum in France, the MuCEM in Marseille. Starting from the observation that ‘general’ ... -
Glück auf! : Fortuna und Risiko im frühneuzeitlichen Bergbau
(2016)As mining became more popular as a form of investment in the 16th century, the number of representations of mining scenes depicting the goddess Fortuna increased. She became a popular emblem of the promises, risks, and ... -
Hanna(h) Höchs Ästhetik der Stickerei
(2014)Zeitgleich zu ihrem Engagement in Dada Berlin, entwarf die deutsche Künstlerin Hanna(h) Höch von 1916-1926 kleinformatige Handarbeitsvorlagen für illustrierte Zeitschriften. Durch ihre kunstgewerbliche Ausbildung in textilen ... -
‚Höher-Schneller-Weiter‘? Feministische Kritik an Technikgeschichte im Museum : Ein Gespräch mit Anna Doepfner
(2015)Anna Doepfner was curator at the department for textile engineering at the Deutsche Technikmuseum Berlin from 1985 until her retirement in August 2014. Doepfner’s work was characterized by a feminist view on inequalities, ... -
Intimate Interactions : Intersektionale Dynamiken als künstlerische Strategie in den Performances von Steven Cohen und IngridMwangiRobertHutter
(2014)Intersectional approaches in recent feminist theory seek to analyse specific problems of discrimination on the basis of relations between individuals and societal structures. In their performances Steven Cohen and ... -
Operation Video. The Use of Images as Visual Agents in Struggles over Representation
(2014)This paper focuses on the notions of the gaze and proximity in visual culture, and their relation to the sense of distancing on the one hand and tactile sensations on the other. Jean Baudrillard, a representative agent of ...