dc.rights.license | https://www.hbz-nrw.de/produkte/open-access/lizenzen/dppl/dppl/DPPL_v2_de_06-2004 | |
dc.contributor.author | Figge, Maja | |
dc.date.accessioned | 2021-04-30T08:22:46Z | |
dc.date.available | 2021-04-30T08:22:46Z | |
dc.date.issued | 2016 | |
dc.identifier.issn | 2197-6910 | |
dc.identifier.uri | http://genderopen.de/25595/1161 | |
dc.description.abstract | The following essay takes as its starting point the observation that colonial/racist imagery, sounds, figures and metaphors can be found in many 1950s West-German films. Referring to the Freudian notion of screen memories, which can be understood as memories of a past that were never present, the essay asks how these filmic actualizations of africanist tropes established a vision of an unburdened past. By looking at three films the essay shows that actualizations of africanist – racist – imagery are key; not only for the transcription of the Nazi as well as the colonial past, but also for establishing a memory that allows for the construction of a self-image as re-covered and therefore no longer racist. | |
dc.language.iso | ger | |
dc.subject | Erinnerungskultur | |
dc.subject | Film | |
dc.subject | Postkolonialismus | |
dc.subject | Rassismus | |
dc.subject.ddc | 791 Öffentliche Darbietungen | |
dc.subject.ddc | Film | |
dc.subject.ddc | Rundfunk | |
dc.subject.other | 1950er | |
dc.subject.other | Afrika | |
dc.title | Afrikanismen als Deckerinnerungen : Zur Verwobenheit der postnationalsozialistischen und postkolonialen Erinnerung in bundesdeutschen Filmen der 1950er Jahre | |
dc.type | article | |
dc.source.pageinfo | 38–49 | |
dc.type.version | publishedVersion | |
dc.source.journal | FKW : Zeitschrift für Geschlechterforschung und visuelle Kultur | |
dc.source.issue | 59 | |
local.type | Zeitschriftenaufsatz | |